« … And so Hooten Landing remained unchanged through the years… a landmark and a memorial… a colonial world that had made only one or two concessions to the march of progress. » — From Ye Olde Spirit of ’76 (July 3, 1949)
Having reached the last half of Kitchen Sink’s chronological reprinting of the Post-WWII Spirit, we come at last to the end of our own chronicle. As stated earlier, facing an inexorable dwindling of Eisner’s involvement and investment in his creation due to other commitments and an understandable sagging of his stamina, the strip slowly entered its decline. Then as now, good help was hard to find, to the point where Eisner opted to wrap up the strip rather than let it peter out completely. This sober and courageous decision most certainly contributed in preserving the feature’s solid reputation to this day.
As we embark on the inarguably lesser half of the run, we encounter fewer standout covers, which is to be expected, given the creator’s diminished affection for the contents. Nevertheless, forty-four Will Eisner covers are bound to yield some genuine sparklers. Here, then, are my picks.
Some background about the classic Sand Saref two-parter, from Tom Heintjes‘ Stage Settings column:
« The final two stories form one longer tale, and they’ve earned a place in comics history. Eisner’s work and film noir have been mentioned in the same breath for decades, and you hold in your hands one of the best reasons why. »
« The story’s history is unorthodox. Sand Saref and Bring in Sand Saref had their origins in Eisner’s shop, which had been producing various comic books and pieces of commercial art with growing frequency. The two stories were originally done as a single 11-page feature, but it didn’t star The Spirit. The lead character was John Law, a character Eisner intended to launch independently of The Spirit feature.
When the John Law project was shelved due to the often poor newsstand distribution of many comic books, Eisner later saw an opportunity, and seized it by breaking the 11-page John Law feature into a two-part Spirit story. Astute readers are now saying: ‘But Spirit stories are seven pages long, requiring fourteen pages of art.‘ Well, there are no flies on Will Eisner. He created the first three pages of ‘Sand Saref’ to bring up the page count.
Eisner said breaking the John Law story into two halves, eliminating all traces of the intended hero, and inking in the faces of The Spirit’s cast of characters wasn’t simple. “The characters were different people, so considerable dialogue had to be rewritten,” he said. “John Law was a policeman and The Spirit wasn’t. Merely because they both fought on the side of law and order didn’t make them the same character.” In fact, Eisner has Sand Saref tell The Spirit ‘you’re a cop’ in the climax of the 14-page story. »
A word or two about The Outer Space Spirit, as it’s come to be called: Eisner, looking for a worthy successor to bequeath the strip to, found young Wally Wood. Talented as he was, Wood’s tragic character flaws were already well established: unlike Eisner, he couldn’t pace himself and he couldn’t stay the course, two qualities essential to the steady production of a comic strip. But for the couple of weeks before Wood started missing deadlines, such lush, interstellar beauty! Feast your peepers here.
Well, that’s it! Thanks for tagging along on Will Eisner and his most famous creation’s tireless peregrinations.
If you’ve missed the earlier entries in the series (punctuality is not one of your strong suits, is it?), all is not lost. In fact, it’s all handily archived within easy reach :
- The Spirit at Quality
- The Spirit at Fiction House
- The Spirit at Harvey and…
- The Spirit at Warren
- The Spirit at Kitchen Sink (pt. 1)
- The Spirit at Kitchen Sink (pt. 2)
- The Spirit at Kitchen Sink (pt. 3)
- The Spirit at Kitchen Sink (pt. 4)
… or if single-clicking is more your speed (takes all kinds!), there’s always our general category, That’s THE SPIRIT!, which will bring up everything at once… but in chronologically inverse order.