Tentacle Tuesday: Dark Tendril of Contagion

« Morticoccus is overpoweringly large and sinister! In this new world he can live — only if he destroys all other life around him — kingdoms and empires would crumble to dust at his deadly touch! Morticoccus waits in his prison — he waits to get out — and breed!! »

I apologize, but according to co-admin RG (whose sense of humour is apparently more morbid than mine) this is Contagion Week on Who’s Out There? Well, I suppose tentacled microbes and germs are as good a topic as any right now…

Our first foray into germs is This Beachhead Earth, scripted by Roy Thomas, penciled by Neal Adams and inked by Tom Palmer, published in The Avengers no. 93 (November 1971). The Vision collapses, the Avengers send Ant-Man into his body to figure out what’s amiss. I made an earnest attempt at following the plot, but the bad dialogue made my head hurt. Did you know that the scream of an ant « is like the wailing of a forsaken child »?  The story includes gems like « frankly, my dear, I don’t give an hydroelectric dam» and « therein lies the only true superiority of the educated man — that he analyzes — dissects — probes — reconstructs ». Oh, the glorious mix of bad puns and pompous lines!

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You can read this « paltry prologue to the most portentous Avengers saga of all! », the work of a fellow who’s just a little too fond of calambours and his thesaurus, here.

Continuing on a grand scale – this time, it’s the grandest scale there is! – we pay a visit to the aforementioned Morticoccus (sinister a’plenty, you shall surely agree), arguably the most fatal disease known to mankind, or at least the deadliest to spring from Jack Kirby‘s fertile mind (ouch) . As for me, I really like the giant, lethal bats.

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Kamandi, The Last Boy on Earth no. 10 (October 1973). Killer Germ! is written and pencilled by Jack Kirby, and inked by Mike Royer, with whom co-admin RG has conducted an interview. 
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Our third medical study is a little case of fungoid infection that even boasts a name. M’Nagalah had a rather complicated birth. Created by British horror writer Ramsey Campbell for his cycle of H.P. Lovecraft pastiches (to be more precise, the creature first appeared in the short story The Inhabitant in the Lake in 1964), it was soon adopted by DC Comics, after doubtlessly being bowled over by its puppy eyes while visiting a no-kill shelter of the Great Old Ones. It was first borrowed for Swamp Thing no. 8 (1974) and afterwards used as per the Russian idiom “a plug for every barrel“. Just look at this mess.

Challengers of the Unknown no. 82 (August-September 1977), scripted by Gerry Conway, pencilled by Michael Netzer, and inked by Joe Rubinstein, starts off with a just mild (if disgusting) contamination…

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That fast progresses to the old “unspeakable, indescribable horror” (yawn).

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Swamp Thing gets dragged in, and professor Mark Haley blooms prettily in the beginning of Challengers of the Unknown no. 82 (October-November 1977), also scripted by Gerry Conway, but this time pencilled by Keith Giffen and inked by John Celardo

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It is soon explained that this is actually some Elder God trying, as usual, to take over the planet, blah blah blah.

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Wishing everyone health and bon courage in these trying times, especially to our poor American friends who seem to be caught in the middle of the virus vortex… And a last strip to end on a more positive note:

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Calvin & Hobbes strip from February 7, 1993. May our worst encounter with microbes be of the digestive variety!

Oh, all right, one more:

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Page from The Incredible Shrinking Tightwad, published in Uncle Scrooge no. 359 (November 2006). Story by Don Rosa, of course!

∞ ds

Tentacle Tuesday: “She was asking for it!”

You know how women aren’t advised to go out after dark, or to go to parties in revealing clothing because they might get raped and/or murdered? (This is purely a comic blog and we play nice, so I’m not developing that line of thought any further.) In the comic world, until relatively recently, that sort of thing couldn’t really be shown, but aren’t tentacles a rather handy stand-in for more realistic (and far scarier) violence? The only point I wish  to state is that a woman can’t even go for a fucking walk without encountering tentacles. Swimming? Just forgetaboutit. Sitting quietly on a log? As long as you’re female, the tentacles will still find you, it scarcely matters whether you’re clad in a swimsuit, a gunny sack, or a parka. If the monster finds you a tad overdressed, it will just rip your clothing off – problem solved!

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Blackstone no. 1 (Fall 1947, EC). Blackstone, Master Magician was created in 1946 by Elmer Cecil Stoner (1897-1969; one of the first black comic book artists!) for Vital Publications. The comic had a remarkably short life – one issue published by EC Comics (the one you’re currently looking at), and three more issues published by Timely. Somehow this was enough to spawn a radio series that aired from 1948 to 1950.

Stoner, who worked for a plethora of golden age companies (Timely, Fawcett, EC, Dell…) attracted some pretty heavy criticism in recent years. « Stoner’s drawing is the visual equivalent of fingernails scraped across a slate, and whenever he had a chance to botch the perspective, the composition, or even the inking, he did so with brio », opines Ron Goulart in his Great History of Comic Books. One could make the point that the above cover demonstrates this: the characters seem to be floating, not connected at all with one another or the landscape. However, whatever one thinks of his art, it has to be admitted even by the staunchest critic that Stoner was a pioneer who carved out a path for other African-American artists.

« On December 16, 1969, Elmer Stoner passed away. Since then he has been largely forgotten by the comic book industry and overlooked as a trailblazer. He was no Jackie Robinson, his presence in the comic industry didn’t alter its course. He did, however, pave the path for Al Hollingsworth, Matt Baker, Ezra Jackson, Cal Massey and for every African-American artist who followed. Stoner’s life is worthy of further exploration and his story deserving of wider recognition. He should not remain invisible. » |source, an article by Ken Quattro that’s well worth reading!|

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« Miriam and Hester were insane. They took the severed head of a dead man, and sewed it back onto his body. Then, they stripped away their clothes and conjured up a demon! » As usual, Vampirella stories make perfect sense. The Nameless Ravisher, scripted by Flaxman Loew and drawn by Leopold Sanchez, was published in Vampirella no. 40 (March 1975, Warren). Flaxman Loew, by the way, was the somewhat ridiculous nom-de-plume of British Mike Butterworth. His stories seemed to get criticized a lot in the letters’ section, so maybe he deliberately picked a moniker guaranteed to be misspelled. One thing’s for certain – he had a vicious streak, qualified by a fan as a “fizzy, nasty run”. Read the full issue here, if you must; I can’t recommend it.
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Thank you for underlining the VIOLATING in the narration, Mr. Script Writer (what can you expect out of a man named Flaxman Loew?) – otherwise we would have never figured it out. This story also contains awe-inspiring quotes like « Vampirella! Rend her! Rip her! Now! », and « the water comes… and comes… ravishment by water…! »

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You know how I said that swimming is not recommended unless you want a tentacular encounter? Do keep that in mind, especially with summer just around the bend:

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Alpha Flight no. 14 (Marvel, September 1984). Cover by John Byrne. Co-admin RG would like to inform everyone that Lake Ontario is not teal-coloured. I’d rather take my chances with the octopus rather than be rescued by that horrible-looking man, but that’s just me (or Byrne’s so-called art).

A closer look at Heather’s rescuer:

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Puck is a dwarf, okay, but why does it seem like Byrne has never seen an actual dwarf in his life?

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A page from « Biology Class », scripted and drawn by John Byrne. So why doesn’t the athletically-minded Puck jump into the water instead of Heather? She tells him not to: « Stop! You know you can’t swim worth spit! » (Err…?)  Is it just me, or do the “deep and dark waters of Lake Ontario” look like a swimming pool?

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O, cute Demi with your gleaming hooves, beware of the quiet before the (sexy) storm! Demi the Demoness no. 2 (1993, Rip Off Press). The cover is by Demi’s Canadian creator, Steven S. Crompton.

Crompton’s art is not *great*, but it has definite charm: somewhat childlike and proudly cartoony, it underlines Demi’s innocence perfectly, her huge puppy eyes beckoning to the reader while she gets ravished by yet another toothy monster, well-endowed Pegasus, or frisky cat goddess. And I don’t mean to make it sound like she’s lying back and thinking of England, either – in most cases, she’s an enthusiastic participant in the sexy shenanigans.

« Over 35 different Demi the Demoness comics have been published. Numerous artists and authors have worked on Demi comics over the years, including Frank Brunner, Tim Vigil, Seppo Makinen, Philo, Ryan Vella, Gus Norman, Enrico Teodorani, Silvano, Diego Simone, Jay Allen Sanford, and many others. Demi has appeared in numerous comics crossovers with other characters, including Shaundra, Captain Fortune, Mauvette, Vampirooni, Cassiopeia the Witch, Djustine, Crimson Gash, and adult film stars Tracey Adams, Tabitha Stevens, Deja Sin, and Bonnie Michaels.» |source|

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Page from « The cumming of Lamasthu », published in Demi the Demoness no. 4 (1994, Rip Off Press). Art by Steven S. Crompton.
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Page from « The Cumming of Lamasthu », published in Demi the Demoness no. 4 (1994, Rip Off Press). Art by Steven S. Crompton.

You can read a dozen Demi issues on My Hentai Comics… the link is very much not safe for work, unless you work for a sex-obsessed Lord Cthulhu or something. But I can guaran-damn-tee a lot of tentacles!

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Cadillacs and Dinosaurs no. 2 (March 1994, Topps). Cover by Dick Giordano, who shouldn’t have been let anywhere near Mark Schultz’ characters. I see the lizard has decided to photobomb this romantic scene (the skeleton guy is clearly about to drop Felicia into the murky swamp water.. that’s teal-coloured for some reason… hardly swampy!)

Inside, we get Blood and Bones, Part II: Swamp Things (scripted by Roy Thomas and drawn by Dick Giordano), a Mœbius 2-pager, a couple of pages of captioned Schultz dinosaur illustrations, and – just in time to save this issue from being thoroughly dreadful – Sailor, Take Warning!, scripted by Roy Thomas and drawn by Steve Stiles.

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See? Definitely tentacles. Every self-respected brain has ’em.
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Felicia’s pose looks distinctly unnatural, but she’s doing a good job of letting everyone know she has an impressive bust (a girl has priorities, even while unconscious). Giordano doesn’t seem to know that human hands curl up when at rest.

You know what Blood and Bones, Part II: Swamp Things has, aside from a suspiciously blue and limpid swamp? Dinosaurs. More specifically a T-Rex skeleton controlled by a brain with tentacles, who’s actually the father of one of the characters! It takes a Roy Thomas to cobble up such classic plots.

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Maybe, instead of Brainosaurus Rex, he should have been called Daddysaurus, or maybe even Papasaurus Rex?

Read the issue here.

I hope I have impressed upon you the absolute necessity of caution when taking a stroll – whether your path lies next to a large body of water or leads through a forest. Above all, do not perch on a log when you need a rest, or lean against a tree. Hanging out with magicians is also not recommended.

Until next Tentacle Tuesday, I remain tentacularily yours…

~ ds

Tentacle Tuesday: Prince Namor, the Sub-Mariner

Created by Bill Everett, Namor the Sub-Mariner first appeared in Marvel Comics no. 1 (October 1939). The offspring of a human sea captain and a princess of Atlantis (and thus proudly bearing the title of Prince), he possessed the aquatic talents one expects of a regular merman and the exceptional strength of a carnival strongman. The cool thing about Namor is that right off the bat, he was a rather negative character – to be more precise, he was an Enemy of the United States (Everett didn’t mince words or characters, huh?) As Les Daniels states in his Marvel: Five Fabulous Decades of the World’s Greatest Comics (1991), « Namor was a freak in the service of chaos. Although the Sub-Mariner acted like a villain, his cause had some justice, and readers reveled in his assaults on civilization. His enthusiastic fans weren’t offended by the carnage he created as he wrecked everything from ships to skyscrapers. » This chaos culminated in an epic fight with Human Torch in 1941 when Namor took things a little too far and threatened to inundate the whole island of Manhattan. This little skirmish didn’t prevent him from joining the Allies’ side once World War II started, however, which gave a more constructive outlet for his somewhat destructive energies.

Right from the beginning, the Sub-Mariner was a complex character who just wouldn’t fit into the standard good guy/bad guy dichotomy. He underwent through quite a few transformations, disappearing for a bit right after WWII like many of his super-and-anti hero compatriots (but never for more than a couple of years at a time) and resurfacing during the Silver Age as a slightly different character. Namor’s concern about encroaching technology and hate of humanity, his fierce independence, made him a likeable character for those of us who like mavericks. He is a tragic character, a king without a kingdom who finds that Atlantis and its people have been destroyed by nuclear testing. After that, who wouldn’t hold a grudge? Anyway, if you’d like a more cogent overview of the Sub-Mariner’s history, visit The Great Comic Book Heroes.

To get back on topic, given how much time Namor spends underwater, it’s hardly surprising that he quite frequently encounters tentacles.

First, a story scripted and drawn by Bill Everett – who better to introduce the character than his creator? This is “The Octopus-Men!”, printed in The Human Torch no. 38 (August 1954).

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« The Original Aquaman » ? My, aren’t we testy. Now, now, you boys both belong to a long, storied tradition.

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Skipping ahead some twenty years, a page from “Namor Agonistes!”, scripted by Roy Thomas, pencilled by Ross Andru and inked by John Severin, printed in Sub-Mariner no. 38 (June 1971). This is sort of an origin story of the Sub-Mariner. Lovely art, n’est-ce pas?

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A page from “When Wakes the Kraken!”, scripted by Roy Thomas, pencilled by Sal Buscema and inked by Mike Esposito, printed in Sub-Mariner no. 27 (July 1970):

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Oh, let’s have a couple of covers, too.

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A rather random assortment of creatures, isn’t it? Sub-Mariner no. 13 (May 1969), pencils by Marie Severin and inks by Joe Sinnott.
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Umm… why is a piranha wielding an axe? Sub-Mariner no. 54 (October 1972), pencilled by Alan Weiss and inked by Frank Giacoia.

I mostly sneer at modern “reboots” of Golden or Silver Age characters, but Namor’s appearance in the excellent Thor the Mighty Avenger (Marvel, 2010) was completely à propos. (The series is a happy union of an absorbing story with great graphics – it’s written by Roger Langridge with art by Chris Samnee.) Here’s a page from “Thursday Morning“, published in Thor the Mighty Avenger no. 5 (December 2010).

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~ ds

Tentacle Tuesday: tentacles, some fresh, some older than time

Welcome to Tentacle Tuesday! We now have an official logo for T.T., courtesy of my husband and fellow blogger. It’s brand-spanking new, so here it is in a fairly high resolution.

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Give him a round of applause… oh, what’s that, it’s hard to applaud with tentacles? Okay, a round of « squish, squish », then.

Let’s begin (proper) with « The Thing on the Roof », adapted by Roy Thomas from a story by Robert E. Howard. The latter was a member of the renowned Lovecraft circle, so the Chthulian vibe of this is no accident. It’s illustrated by Frank Brunner, who does a bang-up job – the man was asked to draw the love child of a dragon and an octopus, and he did not disappoint!

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The Thing on the Roof from Chamber of Chills no. 3 (May 1973, Marvel.)

Continuing in a similar vein (but fast-forwarding 40 years), here’s a terrific story from Bart Simpson’s Treehouse of Horror #19 (September 25th, 2013) which is so chock-full of tentacles that it could be a post all by itself. Written by Lovecraftian Len Wein and illustrated by Demonic Dan Brereton, it ranks as one of the top Treehouse comic stories as far as I’m concerned… but then I might be slightly biased. Or possessed by Chthulhu, whichever.

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I want a Lovecraft vacuum cleaner. *hint, hint*
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In this story, *everything*, animate and inanimate, sprouts tentacles.
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The dramatic/sublime/ludicrous wrap-up! Sorry to give the plot away. Yum, they even remembered to stick an apple in Milhouse’s mouth (it keeps him from screaming, I suppose). Did Lisa forget she’s a vegetarian?

I couldn’t help but post at least three pages of this story – hell, I was tempted to post it in its entirety – but I’ll let you do the work. Go read the whole thing here.

And to wrap up, let’s go back half a century or so, to the Miss Horrible Entity 1954.

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This striking cover is by L.B. Cole, who can always be relied on to provide us with some eye-popping colours. He’s also got a knack for depicting especially disgusting, moist and fleshy tentacles, don’t you think? Startling Terror Tales no. 10 (August 1954).

What I want to know is who, upon being startled by a cephalopod cyclops with vampire fangs and one very bloodshot eye, describes it as an “entity”? “Monster”, sure, even “beast” or “demon” or “creature”, but “entity” (defined as “a thing with distinct and independent existence” by Webster’s)? If you’re going to be *that* stuffy, maybe you deserve to get eaten.

~ ds