Hot Streak: Bill Everett’s Menace

« I have learned to live each day as it comes, and not to borrow trouble by dreading tomorrow. It is the dark menace of the future that makes cowards of us. » — Dorothy Dix

Menace was a short-lived (11 issues, 1953-54, Atlas) horror anthology title that’s mostly remembered*, if at all, for its one-shot introduction of a zombi by the name of Simon Garth. Because Atlas never really played the gore card, its successor Marvel was able to mine most of its Pre-code material as cheap filler in their 1970s bid to flood the market. Don’t get me wrong, though; these titles were still a lot of primitive fun, and in most cases, I’d pick an issue of Weird Wonder Tales, Where Monsters Dwell or Uncanny Tales From the Grave over the latest Fantastic Four or Spider-Man.

The writing was by no means daring or even coherent, but the artwork was frequently rather fine, with none quite finer than Bill Everett‘s, particularly his covers, which elegantly straddled the line between fearsome and goofy.

I’d be tempted to say that Everett (1917-1973) was at his peak when he created these, but the bittersweet fact of it is that Everett was still at the height of his artistic powers, even as he was slowly dying in the early 1970s.

This particular hot streak ends not because Everett turned in a lesser job, but because other hands provided covers for the rest of the run. Talented hands, at that (Carl Burgos, Gene Colan, Russ Heath, Harry Anderson), but none of the other Menace covers are a patch on Everett’s mighty half-dozen.

Menace01A
These monsters look kind of playful and kooky, don’t they? This is Menace no. 1 (March 1953, Atlas). Inside we find Everett, George Tuska, Russ Heath and Werner Roth art. Oh, and Stan Lee stories. Colours by Stan Goldberg.

 

Menace02A
This is Menace no. 2 (April 1953, Atlas). Colours by Stan Goldberg.

 

Menace03A
This is Menace no. 3 (May 1953, Atlas). Colours by Stan Goldberg. Was the title’s monthly schedule truly supposed to be a selling point?

 

Menace04A
This is Menace no. 4 (June 1953, Atlas). Colours by Stan Goldberg.

 

Menace05A
If you think that’s impressive, you should see what mushrooms can do to asphalt!** This is Menace no. 5 (July 1953, Atlas). Simon Garth was dug up (sorry) in 1973, likely at the behest of continuity addict Roy Thomas, to star (if you can call it that) in his own black & white magazine, Tales of the Zombie (10 issues, 1973-75). Like The Man-Thing, he was essentially mindless and shambling, and so mostly a pawn or an uncomprehending witness to others’ tragedies. The best of the mangy lot is, imho, The Blood-Testament of Brian Collier (TotZ no.7… read it here.) It’s not great, but it sure looks pretty, thanks to the sublime Alfredo Alcala, who’s quite in his element here.

 

BugEyedPair
Don and Warren also met Simon. Read Lee and Everett’s 1953 Zombie!

 

Menace06A
This is Menace no. 6 (August 1953, Atlas). Colours by Stan Goldberg.

That strange compulsion that’s creeping over you, that ungodly craving for more Bill Everett, cannot quite be slaked without incurring a terrible cost, be it in human lives, the forfeiting of your immortal soul, or both. But do check out my co-admin ds’ earlier tribute to Mr. Everett’s nightmares, Bill Everett’s Restless Nights of Dread, it might tide you over until dawn.

-RG

*these babies are rare, in any condition.

**Here’s an example:

« A bump in the garage floor turned into a half meter of mushrooms in little more than three days. It crushed its way through five centimetres of asphalt in Åge Reppes garage in Stord, western Norway. It is the water pressure in the cells of the fungus that makes it able to crack the asphalt, says a biologist at the local university. » [ source ]. These are inky caps. Edible, but some species are toxic when consumed with alcohol. These are commonly known as ‘tippler’s bane‘.

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