« Les artistes, c’est comme les pieuvres: ils crachent de l’encre pour se cacher. » — Julos Beaucarne*
It is time (again) for some French tentacles! (Upon closer inspection, a lot of these actually prove to be Belgian, but my point still holds.) We have all kinds in today’s post: tentacles merry and frightening, realistic or cartoony. There’s even an octopus in a bra (but don’t skip ahead)!
Created for Le journal de Tintin in 1963 by Raymond Reding, Vincent Larcher was a professional football player who often used his athletic prowess to defeat evil guys (he also occasionally played football). The first Vincent Larcher story had no supernatural elements, and didn’t seem to make much of a ripple amidst Tintin’s audience. After a 4-year hiatus, Reding re-introduced Vincent Larcher, this time throwing him into a three-part tale with a mad scientist (as usual, hellbent on world domination) and scary aliens. This was later christened the Olympio Trilogy in honour of Olympio, Larcher’s telepathically gifted friend, who was an important figure in these stories. The pages below are from Le zoo du Dr. Ketzal, part three of the aforementioned trilogy, published in Tintin Magazine issues 1039 to 1059 (1969).
The friendly pooch fraternizing with octopuses is Pif, the mascot of Pif Gadget (« gadget » referred to the fact that each issue of the magazine was accompanied by some thingamajig to amuse the youngsters). Pif Poche were pocket-sized collections of short Pif strips (“poche” means pocket in French), meant to be easily carried to trips, picnics, and probably school as well. Pif was created by José Cabrero Arnal in 1948, who gradually abandoned the strip by the 1960s while other artists took over.
The following panels are from the series Tropique des étoiles by Christian Lamquet, more precisely from volume 4, Le réveil des poussières (1996, Claude Lefrancq).
My next peace offering to the cephalopod gods comes in the form of a very loose interpretation of Carlo Collodi‘s Pinocchio, imagined by French artist Winschluss (real name Vincent Paronnaud) and executed with the help of some friends, most notably Cizo on colours. Winschluss’ art can be quite nice, but it gets a massive boost from the first-rate colouring job, so I’d like to emphasize that Cizo deserves a lot of credit for that (the tentacle pages are actually rather dark, as the action occurs undersea, but just take my word for it).
This graphic novel received a few prizes and has been lauded by many parties, but somehow I’ve managed to be quite unaware of its existence until recently. (Frankly, I am somewhat tired of picking up comics that are supposed to be superb and end up being just mediocre, so I don’t tend to pay much attention to awards and other plaudits.) A friendly comic book store clerk pointed it out to me, explaining that it was brought in by an older gentleman whose granddaughter had presented the book to him as a gift, but it wasn’t his thing at all. I was quickly won over by the art, and the story, well… it’s not for the faint-hearted or easily offended, but it’s a good one.
Winschluss’ Pinocchio was originally published in 2008 by Les Requins Marteaux, but has been reprinted several times in French (in increasingly fancier editions) as well as translated into English in 2011.
« French comics artist Winshluss leaves his robot child hanging beneath a giant lollipop on a hill for a good quarter of his largely dialogue-free adaptation, as regimes fall, fake prophets rise and a pizza delivery girl is saved from torture at the hands of seven dwarves. It’s a grim, puerile and rather brilliant update, combining chaotic, inked panels and gorgeous full-colour paintwork to great effect. Pinocchio, designed as a killing machine, is plunged from crisis to crisis by a series of greedy men and women, his story interrupted by a tortured detective, a grieving couple and Jiminy the cockroach. » |source|
Actually, don’t take my word for anything, you can admire the colours in this preview:
Cosmik Roger is a sci-fi/humour comic series scripted by mo/CDM (no, seriously, that’s his nom de plume, and no, I don’t know what it stands for) and drawn by Julien/CDM (real name Julien Solé – they used to go to school together, which apparently led them to adopting the same stupid monicker). This is the cover of the collected Cosmik Roger (volume 1), published in 2018 by Fluide Glacial.
*artists are like octopuses: they spit out ink to hide.